by Amanda Murphy, Felicita Mornata, Raffaella Zardoni. Despite the almost infinite number of existing copies, the exact appearance of the medieval veronica– the sudarium kept in Rome imprinted with the face of Christ – is not known. This paper illustrates an attempt to find the ‘true icon’, creating a sort of identikit by means of the statistical processing of 4500 works, with analysis of the concentration of the copies and their characteristics, together with multivariate analysis tools.
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The Face of the Other: The Veronica and the Spread of its Cult in Europe
Abstract Issues surrounding the cult of the Veronica, the cloth imprinted with the face of Christ, have been the object of numerous works of research. Reflecting on recent findings (please see the Convivium Supplement 2018, edited by A. Murphy, H.L. Kessler, M. Petoletti, E. Duffy and G. Milanese ), and undertaking new research paths,…
Read MoreDe sacrosanto sudario Veronicae by Giacomo Grimaldi. First investigation
Federico Gallo (Biblioteca Ambrosiana, Milano) Abstract Giacomo Grimaldi (Bologna 1568 – Rome 1623) spent his whole life as a cleric in the Basilica of St Peter’s in the Vatican, to which he devoted all his work. An indefaticable researcher, without being notably erudite or innovative, he compiled numerous compilations of great worth from the archives,…
Read MoreThe Roman Veronica and the Holy Face of Lucca: parallelisms and tangencies in the formation of both traditions
Raffaele Savigni (Università di Bologna) Abstract There are various points of contact between the cult of the Holy Face of Lucca (which is documented from the end of the 11th century but only becomes a consolidated tradition in the early 1200s) and that of the Veronica. Although the former is a wooden statue (despite being…
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Veronica Conference 